Signature
Crema
Fluted cream ceramic under a high glaze. Fifty-six ribs, base to lip.
An insulated bottle dressed in real ceramic, tile and stone, with a sleeve you lift off and swap. One body. Any design.
Explore the collectionFive sleeves, five different ideas. The Starter Set is the bottle with the sleeve you choose; every other sleeve fits it for life.
Signature
Fluted cream ceramic under a high glaze. Fifty-six ribs, base to lip.
Limited drop
Hand-glazed zellige with a hairline white seam. No two alike.
Marble, glass and stone chips in a pale ground. The playful one.
Every set is the same steel body with its lid. Choose your sleeves in the bag; limited drops cost no extra inside a set.
The bottle, the stacked lid, and one sleeve of your choice.
The Starter Set plus two more sleeves. Three surfaces from day one, $28 less than separately.
The Starter Set plus all four other sleeves. Every surface we make, one body.
The three-ring lid in any sleeve material, if yours goes missing.

Under every sleeve is the same double-wall stainless body, cold for a day, hot for half of one. Over it, a shell of real material thin as a coin, held by eight flush magnets. Nothing printed. Nothing pretending.
Four sleeves on one steel body, photographed on ordinary days. Change the surface, keep the bottle.





A 1.5 mm veneer of ceramic, tile or quarried stone bonded to a rigid backer. Light enough to carry, hard enough to shrug off knocks. The stacked-ring lid is cut from the same material, so the object reads as one piece from crown to base.
No printed patterns. No films. If it looks like stone, it is stone.
The white whale of the northern seas, and the sturgeon behind the rarest caviar in the world. Two creatures, one name, and the same idea: something quietly extraordinary that most people will never hold.
We make one bottle, properly, and dress it in materials that took a hundred million years to form. No logos across the front. No colours of the season. Just a body worth keeping and a surface worth changing.

Crema · Studio notesA twist-off that reads as ornament. The story of the stacked lid and the mechanism it hides.
Travertine · FieldWhat changes when the object in your hand is heavier, cooler and slower than everything else you carry.
Terrazzo · ObjectsOn veneer, weight and the difference between a finish and a material.
New materials, restocks and notes from the studio. A few times a year, never more.
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